3/31/2011 11:14:00 PM
.. baZinga ..
It will not take long, "Source Code” science-fiction thriller about a modern twist, a hook for you. Smooth introduction of Duncan Jones directed that the bats to open some great ideas, the film over a sequence of images from Chicago and around the bright light of day. Again and again down, and the camera rises over a doll such as houses, passing the tracks and the highway, almost skimming the tops of skyscrapers silver. And again and again, and closer, there is a speeding train, a repetition of history expected artistically clever repetition compulsion.
He did not return to do his own tragic past, but someone else. A few minutes later, the camera near the train comes; he moved the sights of a man (Jake Gyllenhaal), a jerk awake, like a nightmare. No wonder. Although he knows that he is the captain Colter Stevens, an Army helicopter pilot who know more recently current operations in Afghanistan, Christina Warren (Michelle Monaghan), a woman with a pretty smile towards him, (and) put him Sean (Frederick de Grandpré). Sprang, Stevens points out that he was not who she believes him to be, even if a man looking back to her bathroom mirror (Mr. De Grandpré) towards something else. Before Stevens is asking whozat at the time, he and all the other blasted the air.
Few striking, mind-trippy moments later, Stevens wears a uniform and buckled the seat in a dark capsule female voice mumbles something about "besieged fortress" (the name of a variant of the game and a nod to the film narrative design). The sound is sharp, impersonal Colleen Goodwin (Vera Farmiga, in situ), an officer of the orders of Dr. Rutledge (funny Jeffrey Wright) to take. You agree that Stevens called zapped from another time and space in a program source code and back into the train - which he burst to continue the air - until he
