Pushing sixty, I'm sure it came as a surprise for Liam Neeson, when all of a sudden overnight he became a movie star should act. Published in the heart of winter, time is often reserved for films of a bad dump, the operation of the vehicle Neeson was asurprise hit internationally, which proved to be a dramatic actor in a marketable icon.His last, the unknown, which prompted the film is made in the same way, but Jaume Collet-Serra directed thriller is a bit more cerebral and a tad lighter action and violence. What is taken Neeson was a primal instinct to protect a child, which many identify audiences, which is probably why the picture was a smash success. Here, the actor tries to claim something else that is precious to him, his identity, which isshanghai'd after severe events beyond his control.
Neeson plays Dr. Martin Harris, the recent arrival of his wife, Liz Berlin (January Jones), and biotechnology conference, where he intends to make the presentation.Absentmindedly left on the sidewalk at the airport portfolio, Harris finds himself in aterrible accident in his cab on the way back to the bridge and plunged into a river. Fourdays later, he wakes up in hospital, disoriented and confused, wondering if Liz is frantic with worry about his fate. When he finally makes his return to the hotel, he surprised that Liz does not recognize it, is shocked by the suggestion that he is her husband. Even more disturbing is that Liz is the second husband of society (Aidan Quinn), who claims to be the real Martin Harris and the necessary documents to prove it.
Knowing that he is suffering from a head wound and a bit of amnesia as a result of the accident, Harris quickly began to question his own sanity. It is almost certain that this may be illusory, until someone tries to kill him in the hospital, where he reintroduce danti-identity. The proposal of the nurse, Harris looks up at his ex-patient Jurgen (BrunoGanz), a former officer Stassi. survivor of the Cold War, Jurgen was the examiner and the secret police and decides to help Harris, knowing a man is telling the truth. The best way to start your search is to return to the top Harris stay in contact with the driver's cab, Gina (Diane Kruger), an illegal immigrant in Bosnia. Fearing deportation,he is reluctant to help, but there is little he knows more than just an accident and crashed into the river, he rescued a drowning Harris unconscious. It does not reallymatter, as well as shadows like Harris and Gina are now dead and are willing to take them to Berlin to silence them.
There are probably few players still alive who can be a difficult player to play outside and vulnerable and Neeson. He was looking for who stole his car and you do not care,because Neeson is a master at making the audience sympathetic to his plight. There are various scenarios suppose that is really known, and even that came to me when watching the trailer proved to be the real deal, I do not care, because Neeson gives another convincing performance. Even when we see things his character, even he does not necessarily, it is always easy to identify and are willing to follow him until the end. Photo of the two ladies did not fare so well.
Without a doubt, a tall blonde Hitchcock, Jones has an entertaining and we will try to find out if it has been manipulated or a player in this match against Neeson. Unfortunately, there is not enough for his actions, and when his characters are at the center, because they have no impact. Although Kruger has made an excellent work in films such as The Hunting Party, Merry Christmas and Inglourious Basterds, but he is not here to persuade the refugees to Bosnia, or even a taxi driver. He is there just to bea sidekick, alongside Liam Neeson, and as always, history demands that the character is female. A standout performance is not Ganz, who plays his mind lively character and intelligence. He is old and has been out of the game for some time, but the opportunity to review the case, Neeson does not give him a little excitement, he would probably not be felt for decades. Ganz is not a precise moment of a brilliant film and it deals with grace and dignity, which can affect the same antagonists. There are also beautiful, but very short book by Frank Langella, and Sebastian Koch (Black Book) and a German scientist.
In this movie, Collet-Serra is the ability to build tension and pulling an exciting action sequence. A tour is mostly a race both cars in the streets and sidewalks, and avoid collisions with leslie different cars cart. Despite his great body, Neeson manages toappear as vulnerable to battle sequences, playing a man fighting for his life, which has not a clue why. Collet-Serra and DP also make great gifts to the work of snow swept through Berlin without it seeming too austere and cold. Some viewers will think this is the second Take N and he is not and does not seek to be. Although the outcome of the story seems a little familiar, it's a good impetus to entertaining thriller, which is not entirely predictable.
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