Hanna (2011) - Movie Review

In the last "Rocky" film tells a boxing guru the tired hunter sixties by Tiredness, Sylvester Stallone plays middle-aged, that a wreck from arthritis in the neck and deposits of calcium in the joints. Rocky has to get in shape, when the stairs of victory again, so that the coach they should use "good old Blunt Force Trauma" and "build some hurtin bombs!" Spooky minors will pale and beautiful killing machine "Hanna" played by Saoirse Ronan, then 16, not a few bombs that hurt: she has a real nuclear arsenal of pain in his rapid elimination kinetics.

In most stories there is usually a fight scene or two in which the hero, heroine, and sometimes, prepares for battle. Flying in silence or beats, train fighters and practice of the camera, but all licking their muscles flexing and rivers of sweat. These generic terms ritual, they prepared for their fight in the same manner when called Achilles or Buffy or secretarial Hanna: their bodies are turned into the first field of the war. Part of what "Hanna" bizarre and entertainment, food, and if there is no question that the body looks so young not 12 not 16, either a touch shocked at the sight of Hanna kill a deer and then briefly man.

"Hanna" is energetic and directed by Joe Wright sometimes hyperactive, raised not by wolves is about a girl, but the next best thing: a bearded and muscular Eric Bana wrapped in animal skins. It is the mystery man a resident of Erik, a warrior, a kind of living, for unknown reasons, first with her daughter Hanna, isolated in the wild north of Finland. It is the biggest headache. When the movie begins Hanna is tracking a deer in the snow runs fast, then faster, with a quiver and arrows. "I just missed your heart," she said after Downing deer with an arrow. Then she took a gun under his furs crazy-quilt and shoots her dead, ended his misery, and the intrigues in strange motion.

There is always aware of bizarre and entertaining pleasant Sun The screenplay is by Seth Lochhead and David Farr is itself a mosaic of areas of action movies - including soldiers stormed the black helicopters and a parade with a secret intelligence program - which were recombined along the Brothers Grimm stories. And yes, to Finland once was, Hanna and Erik separate ways, on a property with the CIA agent named Marissa Wiegler threat and start playing with the spirit of Cate Blanchett. It is not the most beautiful of the earth, but it seems the most crazy, and as the queen of "Snow White" is his hunters (two skinheads and their boss required hash) to Hanna, who in turn Marissa. Round and round they go and where they end, and you probably know.

The familiar stories do, it's all or much of the fun. To these ends of action films, Mr. Wright holds the account in full swing - the gangbusters opening sets the bar almost too high - even if he gave in quieter times, like when Hanna meets a clan nondwarfs. This friendly breed (Olivia Williams plays the hippie dippy mama do not), which meets in Morocco Hanna during a brutal journey in the desert, wrap it in heat, and showed him what is happiness, the family looks like. (She appears on a starvation diet have been emotional.) Scenes with the family invited, and a touch eccentric, especially in the most invasive close-ups of the face down Hanna, when another girl (Jessica Barden kisses).

Mr. Wright has a pair of films about the period of his life, "Pride & Prejudice" and filled "Atonement". It can be a wild overshoot. He plastered the pictures on glossy, a poor choice for the Second World War Killing Fields slip in "Atonement" and the line in "The Soloist," another of his films. Whatever his camera (in this case, Alwin Kuchler), Mr. Wright, like the camera around like a cheerleader or coked-up director who wants to throw you to remember this c around him. It does not have much personality at work or have a clear signature, with the exception of a penchant for roaming cameras and the appreciation of women Ronan, a difference is that in the film concern films in history.

Ultimately, it may not be much to this story other than titillation, but there is much to Ms. Ronan, who was the best thing about "Atonement" and holds his ground against the dragnet say strong presence as a woman, Blanchett and Mr. Bana. Mrs. Ronan is a supernatural beauty with a gift for quiet and alabaster skin, depending on how it is lit, can live or abnormal creamy white. In "Hannah", it comes with a face almost as white as paper and no apparent feel its strange, translucent blue eyes here in ponds turns opaque.

You are really only assume or hope that the eyes reveal exciting new bass or a secret character. They do not reveal much a part of surprise and a liability in a film that is by turns surprising and generics, subtle and brutal, and still retains its hold, if not his heart.

"Hanna" is rated PG-13 (parents explicitly noted). to break the neck and gunfire.