Source Code - Movie Review

It will not take long, "Source Code” science-fiction thriller about a modern twist, a hook for you. Smooth introduction of Duncan Jones directed that the bats to open some great ideas, the film over a sequence of images from Chicago and around the bright light of day. Again and again down, and the camera rises over a doll such as houses, passing the tracks and the highway, almost skimming the tops of skyscrapers silver. And again and again, and closer, there is a speeding train, a repetition of history expected artistically clever repetition compulsion.

He did not return to do his own tragic past, but someone else. A few minutes later, the camera near the train comes; he moved the sights of a man (Jake Gyllenhaal), a jerk awake, like a nightmare. No wonder. Although he knows that he is the captain Colter Stevens, an Army helicopter pilot who know more recently current operations in Afghanistan, Christina Warren (Michelle Monaghan), a woman with a pretty smile towards him, (and) put him Sean (Frederick de Grandpré). Sprang, Stevens points out that he was not who she believes him to be, even if a man looking back to her bathroom mirror (Mr. De Grandpré) towards something else. Before Stevens is asking whozat at the time, he and all the other blasted the air.

Few striking, mind-trippy moments later, Stevens wears a uniform and buckled the seat in a dark capsule female voice mumbles something about "besieged fortress" (the name of a variant of the game and a nod to the film narrative design). The sound is sharp, impersonal Colleen Goodwin (Vera Farmiga, in situ), an officer of the orders of Dr. Rutledge (funny Jeffrey Wright) to take. You agree that Stevens called zapped from another time and space in a program source code and back into the train - which he burst to continue the air - until he
finds the bombers. Stevens faces eighth notes in the darkness, here in plenty of captured digitally as dim light.

What is in our time (or film), which provoked an existential crisis, some interesting action hero? When the men run the Bourne films and the "Adjustment Bureau" Stevens has not only jump into action strip wheels, he is also facing some big questions - Are we alone? Are we free? Do we have free will? - Its importance is revealed as the outlines of Stevens the right conditions clear. In the classic film noirs, the characters rarely have real choices; their ways are filled with balls and predetermined. "Build your own gallows high, baby," says Robert Mitchum femme fatale (Jane Greer), the glorious "Out of the Past". He and his co-conspirators are destiny.

"Source Code" is something other than the fate that there is a thematic (if lower), Cousin makes the "Groundhog Day", a 1993 Harold Ramis comedy dyspeptic weatherman (Bill Murray), an increase of illumination, he repeated the same day until he gets it right. Every morning, he closes the clock radio plays Sonny and Cher ("I Got You Babe") and joint ventures will be the day that only changes because he is not his. As the Buddha says: "All we have is the result of what we have thought: it is based on our thoughts, it is our opinion." In the "Source" thinking does, making it a nice respite from the standard action fare, and its smiles and arms (although some of that here, too).

Mr. Jones did not lose me to a messy end, if only the level of logic (much less move me science fiction), but it is easy to follow Stevens he exchanged between the real world. Even better, he gets you to do. Solve some other possibilities, "Source Code" written by Ben Ripley remembers "Moon" Mr. Jones, a debut film about a lone astronaut, played by Sam Rockwell. "Source code" is bigger, shinier, and more expensive. But isolated both films hinge physically restrict the men that do not look like them, including more for themselves. And each of Mr. Jones creates a feeling of intimacy, that draws the characters so that the feelings of stress for them and not a mere phrases.

This proximity makes the film feel more personal than the industry, and it is also part of his appeal. Unlike the shocks during the action, as Mr. Jones, you crank the volume; the actors shout their lines rather than speak the default setting too much excitement. Just as you are thin and someone speaks softly, you're thin and flirt Christina Stevens, and their talk is different. Dealers are beautiful together, and how to facilitate, as the new film, Mr. Gyllenhaal, after driving mall. In return, he proposes a sympathetic light and dark dots on the right side when subtle differences in performance, Stevens, whether a reality called into question or take the train of life and death and hope for what everyone wants: the opportunity to do it right.

"Source Code" is rated PG-13 (parents explicitly noted). Bomb violence and gunfire.